WEST End-style ambition came to Ledbury last weekend with the three-night run of the town's modern passion play, And Now the Good News!

Those expecting a medieval- style production with a hell's mouth and dancing demons would have been disappointed. This show had more in common with Les Miserables than, say, The Coventry Cycle.

The Les Mis similarities ran to both the rousing style of much of the music, written by John Frith, and also the script itself, compiled by director Ian Craigan.

Here were well-drawn characters who were seeking a vision of a better life in the face of oppressive politics. The setting of the drama was an interesting idea, being placed firmly at the turn of the last century.

Jesus is a travelling "miracle man", the Lord of the Apples, whose followers are drawn from the rural working class.

This innocent group is in sharp contrast to the urban sophistication of the clergy, Pilate and the Blackshirts.

So, did this challenging production work for me?

The answer has to be yes, with only a few reservations. The music was multi-layered and interesting, often drawing on jazz influences. The orchestra was superb and the choir, equally so.

Among the performers, Adam Dunning as Jesus must enjoy the highest praise. His voice remained strong and his presence was engaging. This was Christ as a favourite brother, workmate or friend. But without Divine competition, Barabbas would have got my vote, I'm afraid! Doug Raybould was highly convincing as an ageing but still passionate rabble-rouser. John Sabey as Peter demonstrated sensitive acting skills and also a fine voice. Sheila Thackwray, as Mary Magdalene, also proved herself to be an excellent singer.

Indeed every performer, young or old, was a credit to the show. But perhaps extra praise should go to Mark Llewellin, as Judas, who betrayed with swagger, doubt and humanity.

At around three hours, the passion play was slightly too long, given the hardness of the pews. Some of the dances could have been shortened and, no doubt, there were too many concepts fighting for attention in some of the scenes. But when all is said, And Now the Good News! was a great triumph for all involved and also for Ledbury itself.

GARY BILLS-GEDDES