CONDUCTOR William Boughton and the ESO completed their Brahms Cycle with the culmination of Symphony No. 4 in E minor. The musicians' splendid performance was worthy of the composer's deeply emotional music.
Singing violins introduced the drooping first theme in 'Allegro non troppo', woodwind acceding, before colluding with the brass in their own rhythmic statement. A complex combination of several themes involving, among others, sumptuous low strings and resounding brass, preceded the vigorous Coda, which restated an elaborated first theme.
The horn initiated the 'Andante moderato', and was copied by woodwind and plucked strings immediately. Brahms was heard at his most romantic in the magnificently played violin theme, and later, in another by the cellos.
The last movement, in the form of a Passacaglia, has 30 variations. Notable was the calmly melodious flute in the 12th, amongst music of fervour, and ultimately a disturbingly tragic close.
In this work the ESO rubatoed finely and was entirely expressive in conveying the innermost soul of Brahms'; an imposing execution.
Variation on a theme of Haydn and Serenade No 2 for Small Orchestra in A major (scored without violins), were performed also, each commensurate with the ESO's standard of excellence.
The Brahms Cycle has been a landmark achievement, showing the orchestra at it's very best. The symphonies especially, being considered sagaciously, and musicianship being of prime importance always.
JILL HOPKINS
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