Paul Schofield, composer of Fire from Heaven, was present to hear his work performed by the Malvern Festival Chorus, with Iain Sloane conducting.

It is a dramatic piece telling the story of Nebuchadnezzar. The chorus, with Regency Brass, percussion and organist Michael Phillips, rose to the challenge and embraced its spirit in a stirring performance.

Rousing brass and drums, then a symbolic lone trumpet, led the chorus in to expressive and well-accented singing of O Lord Thy holy cities are a wilderness. Brass throbbed and a beautiful choral texture emerged for 'cornett, harp, psaltery . . .'.

Atmosphere was created for A fire devoureth, The Lord shall go forth and the final rhythmic chorus, after a super instrumental interlude, pre-empted a sudden effected end.

Ian Caddy (bass-baritone) was the exemplary soloist, adding a depth of understanding to the words.

Two of Bruckner's motets, Offertorium and Ecce saccerdos, produced some well-tuned ensemble and some excellent unison singing.

Parry's setting of Dear Lord and Father of mankind gained much from a simple apporach, with good vocal phrasing and expression achieved.

Other items included Parry's I was glad . . ., Toccata by Rory Boyle, a somewhat disjointed piece, but performed with virtuosity by Michael Phillips, and Divertimento by Salzedo, classically formed but overlaid with jazz rhythms.

A pity the audience was sparse; those who stayed away missed the most interesting concert this society has produced for some time.

Jill Hopkins