The Chandos Orchestra gave yet another imaginatively devised programme. But why was it that such an innovative concert failed to attract the audience it deserved?

Elgar's Falstaff was the most substantial work performed. A splendid opening of low strings presented the unwieldy character of Falstaff, immediately. Events in this incongruous character's life were depicted theatrically, through the Chandos's stirring interpretation.

Interludes featured beautiful undulating string playing, significant woodwind contributions with fine solos from bassoon particularly, superb brass playing, and strength in expert cellos and double-basses. The lead cellist communicated well in solo episodes and Edward Bale's violin solos were refined and effectual.

Dramatic drums and violas, and a lone clarinet, ushered the final drum roll, for a last orchestral 'pluck' to considerable effect.

Peterloo Overture by Arnold began and finished with luscious melody enriched by harps. But within, it intensified to horrendous war-like memories. Juxtaposed was Shostakovich's Moscow Cheryomushki Suite, which brought witticism and rhythm in abundance, in a scintillating reading.

Adams's Lollapalooza was a repetitive reiteration entangling the entire orchestra in a metronomic merry-go-round.

The Chandos give their Berlioz Bicentennial Concert on May 18.

Jill Hopkins