An awesome performance of Bach's Partita in D Minor for Solo Violin comprised the first part of Kennedy's concert.

He stood still and quiet, eyes closed, in a place apart from us, and we marvelled at his amazing technical capabilities, soul-stirring outpouring of expression, subtle divergences of tempi and rhythm, and were moved in admiration.

"Now comes the hard bit" he said, as he was about to play the Ciaccona. An understatement indeed! His delivery, which incorporated complex harmonies and counterpoint, double-stopping and dazzling rapidity of finger-work was one of sensational eloquence. There is no question of the enormity of his talent, but this manifestation was the result of super-intelligent analysis of Bach's music, and immensely hard practice.

After the interval, with incredible versatility, and masses of electronic equipment, Kennedy (now using an electric violin) was joined by a brilliant group of Polish musicians: Jarek Smeitana (guitar), Thomasz Kupiec (double bass and guitar) and Adam Czerwinski (drums), for a session of music by Miles Davis.

What a contrast! But the same discerning consideration was applied to the jazz, as had been to the Bach.

Congenial rapport between the musicians was obvious, and each showed, in solo spots, what brilliant exponents they were. Nigel and Jarek were superb as they conversed in duet for All Blues, shades of Duke Ellington showing.

The whole group spiraled to an exciting finish in a Jimmy Hendrix number via throbbing rhythmic patterns and frenetic climaxes, Kennedy the virtuoso, soaring high as this fabulous concert ended.

Jill Hopkins.