During this ongoing series, links between Elgar and some of his contemporary European composers are being made.

Louis Carus and Richard Pearson, each a very successful artiste, performed with accomplishment in the peaceful atmospheric surroundings of Broadheath.

Melodies abounded in Dvorak's Sonatina in G major, Op.100, beginning with the violinist's rapid start to the first movement Allegro risoluto. Larghetto with its heart-rending theme was most sensitively played, but the closing Allegro was a huge contrast, with marked rhythms, demanding virtuoso techniques from both musicians.

Sonata in G minor by Debussy was delivered in a free flowing manner, showing the composer's stylistic restraint and undulating colours of harmony to perfection.

Brahms's Sonata in D minor, Op.108 gave Richard the opportunity to display his high calibre pianism. While Louis presented the wonderful opening theme, the pianist softly 'rocked' on the piano, before building up to a powerful keyboard display. Then the sublime melody of Adagio was paraded by Louis, and on repetition he expounded further with double stops. In the final Presto agitato both performers worked up a vigorous momentum as their excellent partnership produced a slick cadence to finish their display of virtuosity.

Elgar featured in three charming pieces, Pastourelle and Virelei, typically tuneful early compositions, and Mazurka, with lively, spiky first and last sections enclosing a more sustained part.

Next in the series of concerts is on Thursday, June 17, when Donald Hunt will direct The Broadheath Ensemble.

Jill Hopkins