THIS production was memorable for its elegant sets and superior singing.

Cio-Cio San (called Butterfly), was sung by soprano Manami Hama who developed the character with clear understanding, starting as a demure bride-to-be, then thrilled by ecstatic love and ultimately to anguish as she contemplated Pinkertons' betrayal.

In this demanding role, she sang and acted convincingly and allowed Puccini's wonderful melodies space to soar in heights of expression. Un bel di vedremo (One Fine Day) was meaningful.

Pinkerton, portrayed by magnificent tenor Giuseppe Malfitano, sang tenderly to Butterfly until an impassioned climax was attained as they sang in duet Dolce notte! Quante stella! (Night of rapture, stars unnumbered).

Supporting characters included Goro, a marriage broker, sung by tenor Takanobu Sugimoto, who was deferential always.

Susuki, Butterfly's servant, sung by mezzo-soprano Min Ah Kim, was at her best as she leant Butterfly support while Pinkerton's arrival was awaited; in a scene of profound pathos, the chorus was heard distantly in The Humming Chorus.

Sharpless, the American consul in Nagasaki, as acted by Andrew Mayer, baritone, sang particularly well in scenes with Pinkerton.

Graceful kimonos in muted shades for the chorus, Butterfly in lovely bright flower patterned materials and Pinkerton smart in naval uniform, were seen against a set of a bamboo framed Japanese house with wind-blown blossom trees and a distant view of ice-capped mountains.

Choreography was refined and movements expressive. The large orchestra was a happy collaboration, ensuring a splendid evening.

Jill Hopkins