ANUNA, a charismatic group of singers which created the original sounds of Riverdance, has lost none of its magnetism.

Entering in total darkness, a lone mezzo voice diffused the atmosphere. Others began to harmonise, then sang in stunning unilateral fourths and fifths, until harmonies were heard spaced around the auditorium.

From this magnetic opening an evening of pleasure emanated, introduced by an endearing chap, who was the epitome of Irish charm and wit.

Solos were incorporated into the programme, each sung most beautifully. One young lady, who sang Gaude te against a background of other singers harmonising, had been a previous winner of Choir Girl of the Year.

Other admirable inclusions were Love of my Heart, a moving mezzo solo in folk-song style with humming accompaniment, an emotional rendering of Emigration, a slow, plaintive love song, and The Girl of the Red Petticoat, a lilting Irish ballad accompanied by guitar as well as the other singers.

Church representations embraced solo plainsong, Sanctus, begun as a solo from the platform, then given echo effects from other singers placed round the hall, and Pie Jesu, a choral piece of wonderful, close chromatic harmonies.

Anuna's delivery of a 1601 version of Jerusalem was truly amazing. The singing musicians walked slowly among the audience, then the ladies began similar vocal lines at delayed intervals. Sung thus, the ornate phrases, containing numerous grace-note decorations produced an enchanting, shimmering crystalline effect.

Finally, a superbly sustained performance of Stanford's The Blue Bird, and some rapid-fire Irish mouth music from our engaging compere.

Jill Hopkins